2026法朵艺术节葡萄牙法朵歌后克里斯蒂娜·布兰科音乐会

2026法朵艺术节 葡萄牙法朵歌后克里斯蒂娜·布兰科音乐会

演出地点:中山公园音乐堂

演出：

法朵歌手：克里斯蒂娜·布兰科 Cristina Branco

葡萄牙吉他：贝尔纳多·科托 Bernardo Couto

低音提琴：贝尔纳多·莫雷拉Bernardo Moreira

钢琴：路易斯·菲盖雷多 Luís Figueiredo

曲目：

1 冷澈之光 (Fria Claridade)

2 云之河 (Rio de Nuvens)

3 自由 (Liberdade)

4 环海夫人 (Senhora do Mar Redondo)

5 我身怀法朵 (Trago Fado Nos Sentidos)

6 如果不下雨 (Se Não Chovesse)

7 巴黎不止有探戈 (Não Há Só Tangos Em Paris)

8 无字书 (Folha em Branco)

9 无结不成桥 (Não Há Ponte Sem Nós)

10 诺言 (Promessas)

11 自怡法朵 (Fado de uma Mulher Feliz Sozinha)

12 阿尔丰西娜与海 (Alfonsina y el Mar)

13 水与蜜 (Água e mel)

14 我的爱人是水手 (Meu Amor E Marinheiro)

15 那份忧伤 (Essa Tristeza)

16 你的双眸如烛火 (Os Teus Olhos Sao Dois Cirios)

17 这片寂静 (Este Silêncio)

18 满月小调 (Tonada de la Luna Llena)

19 七片风 (Sete Pedaços de Vento)

具体曲目请以演出当天为准

克里斯蒂娜·布兰科，法朵歌手

Cristina Branco, Fado Singer

克里斯蒂娜·布兰科已发行19张专辑，职业生涯近三十年，全球演出不计其数——克里斯蒂娜·布兰科堪称葡萄牙文化的真实使者。传统音乐是她的核心美学根基，而爵士乐、文学与同台音乐家的影响，则赋予其艺术世界性气质与非凡魅力。

她的艺术之旅始于荷兰，凭借专辑《克里斯蒂娜·布兰科在荷兰》（1997）在当地取得巨大成功。随后数年，她的名字响彻欧洲，多城巡演一票难求。后续作品《低语》（1998）与《后记》（2000）延续声势，助她两度荣获法国《音乐世界》杂志颁发的“震撼奖”。此后推出的《四月》（2007）收录若泽·阿方索的经典之作，《时光》（2009）及《法朵探戈》（2011）亦广受赞誉。

《法朵探戈》预示着她艺术生涯的焕新转折，数年后问世的《少女》正是这一转折的结晶。这张获葡萄牙作家协会评为年度最佳专辑的《少女》（2016），连同后续《布兰科》（2018）与《夏娃》（2020），构成了她的三部曲创作。在这些作品中，她以突破常规的跨界合作融合多元风格，开创法朵演绎的新境界。

2022年恰逢出道25周年，克里斯蒂娜在欧洲完成超40场巡演，并与钢琴家若昂·保罗·埃斯特维斯·达席尔瓦合作推出专辑《秋日下午的黑莓》。2023年，她携新作《母亲》再次惊艳乐坛——延续其艺术传统，她以独一无二的动人嗓音诠释多位作者的作品。无论是录音室版本还是现场演绎，《母亲》皆通过极具沉浸感的音乐旅程，引领听众重新探索法朵情感世界的深邃层次与细腻韵味。

With 19 albums released, nearly 30 years of career, and countless concerts around the world, Cristina Branco is a true ambassador of Portuguese culture. Traditional music is her main aesthetic root, but the influence of jazz, literature, and the musicians she shares the stage with gives her art a universal character and a sublime charm. Her body of work is a major contribution to the promotion and defense of Portuguese music, language, and authors. In her records, Cristina gives voice to different generations of writers.

She began her artistic journey in the Netherlands with “Cristina Branco in Holland” (1997), an album that went on to become a true success there. In the following years, her name resonated throughout Europe, with sold-out dates in numerous cities. Her next works, “Murmurios” (1998) and “Post-Scriptum” (2000), reinforced this momentum, earning Cristina Branco two Prix Choc awards from Le Monde de La Musique.

This was followed by “Abril” (2007), an album of songs by José Afonso, “Kronos” (2009), and “Fado Tango” (2011). This record anticipated the artistic rebirth of Cristina Branco, which would arrive some years later with “Menina”. Voted Best Album of the Year by the Portuguese Society of Authors (SPA), “Menina” (2016) is the first chapter of a trilogy that also includes “Branco” (2018) and “Eva” (2020). In these works, Cristina Branco brings together unusual collaborations, crossing styles and genres, resulting in unique and innovative interpretations of fado.

In 2022 – celebrating her 25th career anniversary – Cristina Branco performed over 40 concerts across Europe and released “Amoras numa Tarde de Outono”, an album in collaboration with pianist João Paulo Esteves da Silva.

In 2023, she revealed “Mãe”: a unique musical creation in which Cristina Branco lends her singular, expressive voice to a variety of authors, as has become her artistic tradition. Both on record and live, “Mãe” offers audiences an original repertoire that takes us on an immersive journey of rediscovery of fado, exploring its emotional depths and nuances.

贝尔纳多·科托，葡萄牙吉他

Bernardo Couto, Portuguese Guitar

贝尔纳多·科托，13岁起随吉他演奏家兼作曲家卡洛斯·贡萨尔维斯学习葡萄牙吉他。他在国立音乐学院完成了葡萄牙吉他第七级及音乐素养课程，并修读了分析与作曲技巧、声学、音乐史及室内乐等科目。此外，他曾师从佩德罗·卡尔代拉·卡布拉尔和里卡多·罗沙。

Bernardo Couto, born on December 19, 1979, began learning the Portuguese guitar at the age of 13 with the guitarist and composer Carlos Gonçalves.

At the National Conservatory School of Music, he completed the 7th grade of the Portuguese Guitar and Musical Training courses, having also studied Analysis and Composition Techniques, Acoustics, Musical History, and Chamber Music. He also studied with Pedro Caldeira Cabral and Ricardo Rocha.

贝尔纳多·莫雷拉，低音提琴

Bernardo Moreira, Double Bass

贝尔纳多·莫雷拉自1985年与兄弟组建“莫雷拉爵士六重奏”开启爵士生涯以来，他一直是葡萄牙最为活跃的低音提琴演奏家之一。其专业成长深受尼尔斯-亨宁·奥斯特德-佩德森、鲁弗斯·里德和雷吉·沃克曼等多位低音提琴大师的影响。他曾就读于里斯本业余音乐学院，师从费尔南多·弗洛雷斯教授的低音提琴课程。近二十年来，他持续投身音乐教育，先后执教于葡萄牙热俱乐部爵士学校及里斯本高等音乐学院，现任该校爵士乐学士学位课程特邀教授。

He is one of the most active double bass players in our country since he began his jazz career in 1985, alongside his brothers in the "Moreiras Jazztet.“ Crucial to his training were the studies he undertook with several masters of the double bass, such as Niels-Henning Orsted-Pedersen, Rufus Reid, and Reggie Workman.

He attended the double bass class of Professor Fernando Flores at the "Academia de Amadores de Música de Lisboa." Over the last 20 years, he has maintained intense activity as an educator, first at the Hot Clube de Portugal Jazz School and currently at the Lisbon Higher School of Music (ESML), where he serves as an Invited Professor for the Bachelor's degree in Jazz.

路易斯·菲盖雷多，钢琴

Luís Figueiredo, Piano

路易斯·菲盖雷多，8岁开始学习音乐，接受两年私人钢琴教学后，于1989年进入科英布拉音乐学院攻读钢琴专业并获学位。2005年完成阿威罗大学钢琴学士学位，同年赴里斯本葡萄牙热俱乐部随菲利佩·梅洛、贝尔纳多·莫雷拉、里卡多·皮涅罗和布鲁诺·桑托斯深造。2016年在苏珊娜·萨尔多与马里奥·拉吉尼亚的指导下，于阿威罗大学获得音乐博士学位。

He began his musical studies at the age of 8. After two years of private piano lessons, he entered the Coimbra Music Conservatory in 1989, where he completed his Piano degree. In 2005, he concluded his Bachelor's degree in Piano at the University of Aveiro. In the same year, he studied at the Hot Clube de Portugal in Lisbon with Filipe Melo, Bernardo Moreira, Ricardo Pinheiro, and Bruno Santos. In 2016, he completed his Doctorate in Music at the University of Aveiro, under the supervision of Susana Sardo and Mário Laginha.